Anderson , carolyn , and thomas benson . " direct cinema and the myth of informed consent : the case of titicut follies . " in image ethics . pp . 58 - 90 直接電影與知情同意的迷思:提提卡失序紀(jì)事,收錄于《影像倫理》 ,第58 - 90頁(yè)。
What are the parallels and differences between the work of french director , jean rouch , ( sometimes referred to as " cinema verite " ) and the work of direct cinema proponents centered in the united states 法國(guó)導(dǎo)演尚胡許的作品(或稱“紀(jì)實(shí)電影” )和以美國(guó)為中心之直接電影倡導(dǎo)者的作品,兩者的異同為何?